by Donald S. Yarab

Oil on canvas, 141 × 135 cm
Collection of the National Gallery Prague, Schwarzenberg Palace
© National Gallery Prague
The unopened book, its spine uncreased,
rests on the shelf, untouched by breath.
No hand has turned its waiting leaves,
no eye has met its silent depths.
The pages sleep in folded time,
ink unmoved by thought or light—
a universe uncalled to mind,
a star unkindled in the night.
Who knows what worlds it might contain—
a lover’s vow, a tyrant’s fall,
a name that once was yours or mine,
a deathless truth, a whispered call?
The story never yet begun
is writ in ink that does not fade.
Its fate, unlike the morning sun,
has neither risen nor decayed.
And yet—another book lies bare,
its binding worn, its chapters told.
The margins smudged by time and care,
its tale rehearsed a thousandfold.
We read, we skip, we turn again,
we bookmark thoughts we dare not bind—
then falter near the closing lines,
no meaning fixed, no end designed.
A narrative half-read, half-lost,
its final thought left unexpressed—
the thread unwinds, the ink runs dry,
the reader dozes, unconfessed.
Between the two—a paradox:
the never read, the half-complete.
Which holds the weight of what we are?
Which better marks our own defeat?
Perhaps all books are mirrors dim,
reflecting what we dare not see:
the start we fear, the end we flee,
the truths we touch but never free.
So let it lie, unopened still,
or let it fall apart, well-worn—
the soul is both the waiting page,
and every word we leave unborn.
