THE KING’S DELIVERANCE – A “Hymn” commemorating the rescue of the King from an attempted kidnapping by the Bar Confederation conspirators in 1771.
It is with pleasure that I share with you The King’s Deliverance, a musical composition inspired by the 1771 AR Medal crafted by Johann Leonhard Oexlein. This piece sets to music the lyrics written to commemorate the remarkable escape of King Stanisław August Poniatowski from an attempted abduction by the Bar Confederation, a group of Polish nobles opposed to Russian influence in the Polish-Lithuanian Commonwealth.
The medal, with its powerful inscriptions from the Psalms and intricate artistic details, captures the moment when “divine providence” intervened to protect the king. It symbolizes not only his deliverance but also the mercy he showed towards those who conspired against him. This event, which unfolded on the night of November 3, 1771, had far-reaching consequences, ultimately strengthening the king’s position. The hymn highlights the themes of justice and divine protection.
For those interested in a more detailed exploration of the medal and the history of the incident, I refer you back to an earlier post where I provide a fuller explanation of these significant historical elements.
The King’s Deliverance seeks to encapsulate these historical themes through music and lyrics, offering a tribute to this significant moment in Polish history. You are invited to watch the video and reflect on the enduring legacy of King Stanisław August’s resilience and mercy.
Le rat de ville et le rat des champs (engraving from Book I, Fable IX, Fables de La Fontaine avec les dessins de Gustave Doré, 1867) by Gustave Doré (1832-83).
In contemplating my deep appreciation for reading and, more recently, writing fables, I find that these concise narratives, though brief, demand a mastery of language that is both artful and precise. The essence of a fable lies in its ability to convey profound moral lessons within the confines of a few well-chosen words, a task that requires the storyteller to employ language that is rich in metaphor and layered with meaning. Unlike a novel or even a short story, a fable’s economy of expression does not diminish its impact; rather, it enhances the potency of its message. The challenge and joy of crafting such a tale lie in the careful selection of words that resonate with readers of all ages and backgrounds, evoking emotions and intellectual insights that extend far beyond the surface of the text.
Moreover, the fable’s ability to transcend its limited word count is akin to the skill of a master artist who, with a few deft strokes, can create a visual masterpiece that captivates and educates. A master artist, much like a skilled fable writer, transcends the literal confines of their medium, whether it be canvas, paper, or marble. Their work is not merely a representation of reality, but an evocative expression that stirs the viewer’s emotions, provokes thoughtful interpretations, and invites intellectual exploration. Through the careful selection of color, composition, and form, the master artist imbues the visual elements with a depth that speaks to the human condition in ways that are both subtle and profound. The true artistry lies in this ability to craft a visual narrative that compels the observer to look beyond the surface, uncovering layers of meaning and insight that resonate long after the initial encounter. In this way, the artist’s canvas becomes a gateway to a richer understanding of the world, much as the carefully chosen words of a fable reveal truths that extend far beyond their brevity.
It is also why I often choose to illustrate each fable I create with a carefully selected work of art. The artwork not only complements the story but also symbolizes the underlying lesson, even if only metaphorically.
The master weaver of fables must tell a compelling story as they intricately weave a fine lesson into the tapestry with limited threads, but threads of extraordinary and precious value. Each word, each phrase, contributes to the intricate design of the narrative, ensuring that every element is essential to its overall impact. In this way, the fable becomes not just a story, but a distilled form of wisdom, crafted with precision and care, imparting lessons with an elegance and economy unmatched by other literary forms. It is this confluence of art and intellect that makes the reading and writing of fables a deeply rewarding pursuit, one that continues to captivate my imagination and inspire my creative endeavors.
Sciathericon (engraved plate, 1671) from the 2nd edition of Ars Magna Lucis et Umbrae (“The Great Art of Light and Shadow”) by Athanasius Kircher (1602-1680). Image from the Dittrick Rare Book Collections at Case Western Reserve University, Dittrick Medical History Center.
In a distant land, where the mountains kissed the heavens and the rivers whispered secrets of the earth, there lived an ancient artisan known as the Weaver. This Weaver was not like others, for he did not spin mere cloth or thread. Instead, he wove the very fabric of existence itself—threads of light and shadow, of joy and sorrow, of hope and despair. His loom was the sky, and his spindle the stars.
The Weaver’s craft was unparalleled, for he understood the delicate balance that must be maintained in all things. Too much light, and the world would be blinded by its own brilliance; too much shadow, and it would be consumed by darkness. Thus, he wove carefully, each thread placed with intent and purpose, creating a tapestry that held the world together.
But one day, a young prince, full of ambition and pride, sought out the Weaver. He had heard tales of the Weaver’s power and desired to command the loom for himself. “Weaver,” said the prince, “grant me the knowledge of your craft, so that I may weave my own destiny, free from the bonds of fate.”
The Weaver, wise and knowing, looked upon the prince with both sorrow and understanding. “My child,” he said, “the threads of life are not to be wielded with arrogance. To weave is to understand the weight of each choice, the consequences of each action. Are you prepared to bear such a burden?”
The prince, blind to the warning, insisted. “I am prepared for anything. Teach me your ways, and I shall create a world in my image, a world of light, free from darkness.”
Seeing the prince’s determination, the Weaver sighed and granted his request. For 12 weeks, the Weaver patiently instructed the prince, teaching him the secrets of the loom, the intricacies of the threads, and the delicate balance that must be maintained. As the weeks passed, the prince began to grasp the profound wisdom woven into every strand of fabric. Finally, at the end of the 12th week, the Weaver stepped aside, allowing the prince to take his place.
Eagerly, the prince began to weave, pulling strands of light with fervor, filling the sky with radiant brilliance. But in his haste and pride, he neglected the shadows, casting them aside as unworthy. The world he created was indeed one of light, but it was harsh and unyielding, with oppressive heat bearing down relentlessly, as if the very air had become a burden. The people, blinded by the relentless glow, began to suffer, for there was no shade to rest, no night to dream.
Realizing his grave mistake, the prince sought to undo his work, but the radiant threads were stubborn, refusing to be unraveled. In despair, he turned to the Weaver for help. The Weaver, with a gentle hand, took back the loom and began to weave once more, adding threads of shadow to the prince’s creation, restoring the harmony that had been lost.
As the prince watched, he finally understood. The light could not exist without the shadow, nor the shadow without the light. Each thread had its place, its purpose, and only together could they create a world that was whole.
The prince, humbled by his folly, vowed never to forget the lesson he had learned. When he came to rule, he governed with wisdom and justice, as one who understood the value of balance in all things. And the Weaver continued his work, silently and skillfully, weaving the tapestry of existence, one thread at a time.
Moral of the Fable
The fable teaches that in all aspects of life, balance is essential. The pursuit of light without acknowledging the necessity of shadow leads to a world that is incomplete and unkind. True wisdom lies in embracing the duality of existence and recognizing that every choice carries with it a responsibility to maintain harmony.
I have completed a draft of a booklet, The Tales and Fables of Lysander Aesopides, exploring wisdom, morality, and the balance of light and shadow. Inspired by “Traditional Slovak Folktales,” I aim to reflect fable traditions and the human condition. Each tale is illustrated with carefully chosen artwork. Join me in exploring these fables, offering reflections and timeless lessons.
It is with some trepidation and absolute pleasure that I announce that I have completed a draft of a booklet, The Tales and Fables of Lysander Aesopides. This collection of fables, written under my chosen pseudonym, explores themes of wisdom, morality, and the intricate balance of light and shadow within the human experience. The name Lysander Aesopides—a blend of ‘Lysander,’ meaning ‘liberator’ or ‘one who is free,’ and ‘Aesopides,’ meaning ‘descendant of Aesop’—symbolizes a continuation of the ancient tradition of fable-telling, while also embracing a spirit of renewal and reinterpretation. Through this persona, I seek to honor the legacy of Aesop, while offering narratives that explore these timeless themes in ways that reflect the complexities of our modern world.
CLICK ABOVE IMAGE TO OPEN A DRAFT PDF BOOKLET OF THE ABOVE COLLECTION OF FABLESOR CLICK BUTTON AT END OF POSTING
The impetus for this work stems from my long appreciation for fables and folktales and the collection of such fables and tales in my library. The release of this draft coincides with the recent arrival of a cherished addition to my library—a volume entitled “Traditional Slovak Folktales”(Collected by Pavol Dobsinsky and edited and translated by David L. Cooper). The stories within, rich with cultural heritage and timeless lessons, inspired me to continue to craft my own set of tales that reflect both the universality of fable traditions and the unique nuances of our shared human condition.
You are invited to explore these fables and tales, where the old meets the new, and where every tale offers a reflection, a lesson, or perhaps even a glimpse into the complexities of our souls. This booklet will continue to grow over time. Also, I saw fit to illustrate each fable with a work of art that seemed fitting to the tale. In time, I suspect I will proffer more explanation within the publication as to why the artwork was chosen.
It is my hope that you find some pleasure in my efforts, as I certainly enjoyed the creation of these nuggets.
Winter Lament is a short musical composition inspired by an older poem I wrote years ago. In preparing it for a new musical setting with the assistance of Udio.com, I made a few adjustments and added some “oh oh” lead-in lyrics. I’ve found that modern musical genres on Udio often benefit from lyrical elements such as “oh ohs,” “hey heys,” and/or “yea yeas,” so I’ve learned to incorporate them where they enhance the piece.
WINTER LAMENT (Lyrics by Donald S. Yarab)
This composition is the first of four seasonal pieces I plan to set to music—a project clearly inspired by Vivaldi’s Four Seasons, which I listened to incessantly during my college years so many decades ago. While I may not possess Vivaldi’s genius, I find myself with the time now to explore this creative endeavor. Unfortunately, I can no longer compose music myself—my saxophone playing skills have long since faded, my keyboard abilities are modest at best, and my youngest brother is the guitarist of the family. Thus, I rely on Udio and my prompts to bring these compositions to life, though it often takes numerous attempts before I find a result that resonates.
The current video serves as a placeholder until I can source better imagery, but it suffices for now. Also contemplating retitling the work “February’s Calling,” from the first line of the refrain/chorus. The phrase “February’s calling” is employed as an insistent and contrasting metaphor to emphasize the emotional tension between the harsh, cold realities of winter and the speaker’s longing for warmth and companionship.
In any event, given the heat of August, I thought we might all appreciate the cooling sensation offered by the winter verses and images.
Northcoast Antiquarian 