Inspired by Where is Am I? and viewing poetry as akin to musical composition, I felt it fitting to create a follow-up variation on a theme. In truth, it took only moments to pen the opening line/title: Past Present Future? Which is Now? How could this not spring readily to mind, given the intense reading, writing, and research I have been immersed in for so long—scientific and philosophical alike? The line is a distillation of a significant part of my existential quest, an attempt to more deeply explore what I have long referred to as the eternal now.
Past Present Future? Which is Now? captures the tension between how we subjectively experience time and the idea that all moments—past, present, and future—are fixed and unchanging. In this static view, consciousness perceives each moment as now, while in reality, every moment already exists. This concept aligns with the philosophical idea of the eternal now, where all of time is present within each instant, even if our perception fragments it. The poem seeks to capture this interaction: the way awareness encounters different moments in time, while time itself remains constant and unchanging. It reflects my broader philosophical inquiries into the nature of reality, consciousness, and time’s interconnectedness.
Where is Am I? and Past Present Future? Which is Now? function as variations on a shared theme, much like movements in a musical composition. While they differ in focus—one on the search for identity, the other on the nature of time—they resonate with one another through recurring imagery and ideas. Both explore existential uncertainty, employing motifs of light and shadow, echoes and breath, to reflect the fragmented nature of consciousness and experience.
Where is Am I? is an introspective meditation on the self’s disjointed sense of being, while Past Present Future? extends this reflection, asking whether time—past, present, and future—exists as distinct moments or as a continuous whole. In this way, the second poem builds on the first, expanding the inquiry into personal identity toward a larger philosophical investigation of time. Together, the two poems form a stylistic and thematic unity, with the second poem deepening the existential questions introduced in the first, offering a more expansive vision of the human experience or, at least, my experience.
Past Present Future? Which is now?
Past whispers in the corners of my mind,
its shadow folded into the fabric of now—
but is it gone, or does it still breathe,
echoing in the present’s fleeting pulse?
The future calls, a distant tremor,
its promise threaded through each thought.
Yet does it truly wait, or is it here already,
quietly draped over the moment’s edge?
Past, present, future—are they separate streams,
or one river coursing through the self,
an unbroken thread of light,
where time is nothing but a veil? Which is now?
All and none—each breath dissolves the question,
as yesterday, tomorrow, and today
collapse into the eternal now.
Northcoast Antiquarian 