Conscripted Dust


Photo by Mitja Juraja on Pexels.com

“Dry bones can harm no one”
So sang the voice from Wasteland’s shore,
But I have walked the killing fields
And know the lie that silence bore.

The bones do speak, though long decayed,
Unearthed by hands not theirs to claim,
Given tongues by zealot priests
Who mouth their prayers and speak their shame.

In Kosovo’s fields, in Gaza’s dust,
In Armenia’s buried grief,
Across the sands of Erbil’s night,
The dead are stirred—not for relief.

They rise not in their own defense,
They rise to justify the blade,
Embroidered with fresh fable-cloth,
With memories half-new, half-made.

The Promised Land is paved with skulls
That never sought a throne or crown.
The gospel of the grave is preached
In voices never theirs to claim.

The soul-stained call them forth once more—
These ventriloquists of vengeance
Make calcium speak of causes
The buried never chose to bless.

They cry for peace, yet hear their names
Proclaimed to summon death, not justice.
Their marrow plundered, their repose
Defiled while ancient wounds burn bright.

They do not ask to be avenged—
No whisper from the tomb requests
A mother’s tears be matched by some
New covenant of blood and fire.

Until we bury not just bone
But pride and myth and righteous sword,
The dead shall march in vengeful script
To scrawl our creeds in sacred dust.

Dry bones should harm no one—
Yet see how we conscript the dust,
Make weapons of our ancestors,
And brand our vengeance just.

The Reckoning

“Here I am, an old man in a dry month, / Being read to by a boy, waiting for rain.”
—T.S. Eliot, Gerontion

“Enigmas never age, have you noticed that”
—Donald Trump, in a 50th birthday greeting to Jeffrey Epstein, as reported by the Wall Street Journal, July 17, 2025


John Martin's The Great Day of His Wrath
The Great Day of His Wrath by John Martin, 1853, oil painting on canvas.

Not with a whimper but with judgment—
the hollow men are laid bare.
Between the shadow and the substance falls
the weight of what they’ve done.

April reaps the harvest of unburied sins,
memory and justice tally their dues
in the counting house of broken promises.
The rats abandon ship; the reckoning arrives
through cracks in gilded towers.

We are not hollow, not stuffed with lies—
we are the thunder that shakes foundations,
the rain that scours the ledger clean,
the voice that names the unnamed.

In this valley of false prophets
their empires crumble while truth endures,
and when the smoke clears, we remain—
the witnesses in the empty boardroom,
the light that penetrates the shadow.

The desert remembers. The wasteland testifies.
And those who thought themselves untouchable
now face the music of their making:
Here. Here is the bill.

Between the crime and the punishment
falls not silence, but the sound
of debts returning to their debtors—
inevitable, unrelenting, just.

In the room the power brokers scheme and plot,
but tonight the doors are locked
and the receipts read aloud.

This is the way the world ends—
not with their bang, but with our thunder—
the final indictment.

The bell of reckoning tolls—for thee.