In the photographs taken within the Oval Office (2017, 2025), the seat of American executive authority has been transformed into something older and stranger—a sanctuary of royal consecration. At its center sits Donald J. Trump, head bowed, encircled by ministers and advisers whose hands rest upon him in the gesture of impositio manuum, the laying on of hands. Their eyes are closed, lips moving in prayer, yet their posture speaks less of intercession than of veneration. What unfolds in that moment is not simply political theater but a ritual reenactment of an ancient idea: that power may be embodied, sanctified, and made flesh.

The Reversal of Benediction
In Christian and pre-Christian rites alike, the laying on of hands conveys the transmission of grace or authority. The priest’s touch confers the Spirit upon the baptized; the bishop’s hand consecrates the king. Here, however, the direction of sanctification is reversed. The clergy do not mediate divine blessing to the ruler on behalf of the people; they draw legitimacy from him. The bowed heads and concentric hands create a living reliquary around the sovereign’s body. The Oval Office, ordinarily a stage for civil governance, has been re-imagined as an apse, its curved wall a secular altar niche. What was intended as prayer has become an act of anointment—without chrism, yet heavy with its symbolism. In 2025, the Christian supplicants’ language included a declaration of divine appointment: “You assigned him, you appointed him, you anointed him for such a time as this…”

The Living Law
Ernst H. Kantorowicz, in The King’s Two Bodies, described how medieval jurisprudence conceived the ruler as lex animata—the “living law.” The sovereign’s person contained within it both the mortal, fallible flesh (corpus naturale) and the immortal, juridical body politic (corpus mysticum). Law was not merely administered by the king; it was enfleshed in him. The maxim omnia iura in scrinio pectoris imperatoris—“all laws reside in the emperor’s breast”—expressed the same belief: that the sovereign’s will constituted legality itself.
Trump’s self-understanding, as revealed in his statements that “I (have) the right to do anything that I want to do. I’m the president of the United States,” and that he could even “declassify by thinking” alone, reflects this archaic conception of sovereignty. In the photographs, that philosophy becomes visible form. His body, ringed by supplicants, stands as the physical repository of authority: thought and flesh fused into the living source of law. The constitutional process is eclipsed by a medieval metaphysic—the emperor’s breast revived within a republic.
The Mystical Body of the Republic
In Kantorowicz’s analysis, the king’s dual body was not a theological curiosity but a political necessity: it allowed the continuity of the realm despite the mortality of its ruler. The body politic outlived the natural body through the fiction of divine investiture. Yet in the Oval Office images, the relationship is inverted. The ruler’s flesh absorbs the polity rather than the polity transcending the ruler. The praying ministers become members of his mystical body, as if the state were incarnate in him rather than he in the state. The photographs thus performs a political transubstantiation—the transformation of a secular office into a sacred organism whose head alone is divine.
Iconography of Idolatry
The camera captures only the back of the president’s head in one of the images, a composition that echoes the devotional art of relic veneration. The viewer’s gaze aligns with the worshippers’ hands, all converging on the same luminous focal point: the golden hair, haloed by the light of the room. The gesture is tactile worship, the contact-relic as conduit of grace. In medieval reliquaries, touch transmitted sanctity; here it transmits legitimacy. The image collapses the distinction between religion and politics, portraying a people seeking salvation through proximity to power.
The Return of the Arcane Sovereign
What Kantorowicz chronicled as a vanished theology of monarchy reappears in modern populist guise. The constitutional republic, built upon the rejection of divine kingship, finds itself haunted by its ghost. The sovereign’s “two bodies” are re-fused: the office and the man, the law and the will, the symbol and the flesh. Those who kneel do so not before the law but before its living embodiment. When the sovereign’s body absorbs the state, law becomes indistinguishable from will. In such a regime, dissent is not disagreement—it is heresy. The king’s body, once divided for the safety of the state, is whole again.
The danger lies not only in the man but in the myth reborn around him—the longing for the immediate, the personal, the sacred ruler who is the nation. In that longing, the modern citizen becomes medieval subject once more. And the Oval Office, once the seat of the people’s servant, becomes the sanctuary of an arcane sovereign whose heart, like the emperor’s of old, is presumed to contain all laws within its breast.



