Winter Lament is a short musical composition inspired by an older poem I wrote years ago. In preparing it for a new musical setting with the assistance of Udio.com, I made a few adjustments and added some “oh oh” lead-in lyrics. I’ve found that modern musical genres on Udio often benefit from lyrical elements such as “oh ohs,” “hey heys,” and/or “yea yeas,” so I’ve learned to incorporate them where they enhance the piece.
WINTER LAMENT (Lyrics by Donald S. Yarab)
This composition is the first of four seasonal pieces I plan to set to music—a project clearly inspired by Vivaldi’s Four Seasons, which I listened to incessantly during my college years so many decades ago. While I may not possess Vivaldi’s genius, I find myself with the time now to explore this creative endeavor. Unfortunately, I can no longer compose music myself—my saxophone playing skills have long since faded, my keyboard abilities are modest at best, and my youngest brother is the guitarist of the family. Thus, I rely on Udio and my prompts to bring these compositions to life, though it often takes numerous attempts before I find a result that resonates.
The current video serves as a placeholder until I can source better imagery, but it suffices for now. Also contemplating retitling the work “February’s Calling,” from the first line of the refrain/chorus. The phrase “February’s calling” is employed as an insistent and contrasting metaphor to emphasize the emotional tension between the harsh, cold realities of winter and the speaker’s longing for warmth and companionship.
In any event, given the heat of August, I thought we might all appreciate the cooling sensation offered by the winter verses and images.
The Good God and the Evil God met on the mountaintop. The Good God said, “Good day to you, brother.” The Evil God did not answer. And the Good God said, “You are in bad humor today.” “Yes,” said the Evil God, “for of late I have often been mistaken for you, called by your name, and treated as if I were you, and it ill-pleases me.” And the Good God said, “But I too have been mistaken for you and called by your name.” The Evil God walked away, cursing the stupidity of man.
In my youth, I eschewed the simplistic notion that humanity was innately good or evil. Rather, I opined that humanity was innately confused—a collective of beings adrift in the vast ocean of existence, grappling with the manifold complexities of our condition. In those earlier days, my worldview was perhaps influenced by the idealism of youth, a belief that clarity could be found in the pursuit of knowledge and understanding.
Now, decades later, having traversed the cacophony of life’s myriad experiences and having engaged with countless multitudes of my fellow beings, I have arrived at a more somber conclusion. The confusion I once recognized as a fundamental aspect of our nature has revealed itself as a fertile ground upon which the basest and blackest of motives take root. It is not merely that we are confused, but that this confusion often serves as a pretext for succumbing to base emotions—emotions that, when left unchecked, lead us to actions driven by hatred, fear, and greed. Those driven by a lust for power know how to play upon, manipulate, and inflame these emotions to their advantage.
Over the past thirty or forty years, I have borne witness to the pernicious effects of these emotions, observing how they fester and metastasize within individuals and societies alike. In my professional and personal endeavors, I have encountered those whose actions are fueled by malignant self-interest, an insatiable hunger for power, or a profound disdain for “the other.” These observations have led me to a troubling realization: that the very forces that drive individuals in their personal lives—those same dark and destructive impulses—also drive nations, shaping the course of history in ways both overt and subtle.
It is here that Aleksandr Solzhenitsyn’s reflection in The Gulag Archipelago resonates with particular poignancy: “If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being.” Solzhenitsyn’s insight challenges the comforting illusion that evil is an external force, embodied in others who can be isolated and eradicated. Instead, he exposes the profound and unsettling truth that this dichotomy of good and evil resides within each of us. It is a truth that underscores the very essence of our internal struggles—a reflection of the chiaroscuro that defines the human soul.
This inner conflict and the murkiness of moral judgment were starkly impressed upon me during my youth by a singular event: the assassination of Archbishop Oscar Romero in El Salvador. Romero, a man of deep faith and profound courage, became the voice for the oppressed, the spokesman for the innocents caught in the crossfire of a brutal civil conflict. His murder, carried out while he was celebrating Mass, was not merely an act of violence; it was an act of profound darkness, a chilling reminder of the depths to which humanity can sink when driven by fear and hatred.
Chiaroscuro – Light and Shadow within Our Souls (The music which I created using Udio.com that inspired this essay, then this video, dedicated to the memory of St. Oscar Romero.)
Romero was assassinated in 1980 less than a month after he wrote the U.S. president as follows: “I am very worried by the news that the government of the United States is studying a form of abetting the arming of El Salvador…. The present junta government and above all the armed forces and security forces unfortunately have not demonstrated their capacity to resolve, in political and structural practice, the grave national problems. In general they have only reverted to repressive violence, producing a total of deaths and injuries much greater than in the recent military regimes whose systematic violation of human rights was denounced by the Inter-American Committee on Human Rights. … As archbishop of the Archdiocese of San Salvador I have an obligation to see that faith and justice reign in my country, (so) I ask you, if you truly want to defend human rights, to prohibit the giving of [U.S.] military aid to the Salvadoran government.” His plea was a direct appeal to the moral conscience of those who held the power to influence the course of the conflict, an appeal which was ignored.
What made this tragedy all the more harrowing was its connection to misguided American foreign policy—we are, after all, the “good guys.” In our fear of communism, a fear that pervaded the geopolitics of the era, we chose to support the bleakest and most ruthless elements within El Salvador with over $5 billion in military and economic aid after the assassination of Romero (equivalent to over $12 billion in 2024). In a population of under five million—of which nearly one million fled the country and nearly 85,000 were killed during the conflict—that level of spending did little for the people but clearly enriched the greed-driven American military-industrial complex and the wealthy in El Salvador. The irony was bitter: in our quest to combat what we perceived as a greater evil, we found ourselves complicit in the oppression and murder of the very innocents we claimed to protect. The financial and military support we provided did not foster peace or justice; instead, it fueled a cycle of violence and repression that devastated a nation, while enriching those who profited from the machinery of war.
Similarly, the events of September 11 unleashed a torrent of rage and hatred—emotions so blinding that they allowed those who led us to manipulate the nation into engaging in war, torture, and atrocities against parties who had no involvement in the tragic events of that day. But beyond the emotions of hate and fear, there lay another, more insidious motivation: greed. The subsequent war in Iraq, which tore asunder communities, families, and an entire nation—even if it did result in the removal of a dictator—was driven not by a quest for justice related to September 11 but by the lure of access to oil, as openly admitted by administration officials and policy documents. The opportunity to test weapons and expand the influence of the military-industrial complex was also a significant factor, furthering the interests of those who profit from conflict, which cost over $1.1 trillion. Our collective hatred blinded us to these underlying motives, distorting our perception of reality and leading us down a path of destruction. The legacy of this blindness is writ large in the deaths of thousands, tens of thousands, and even hundreds of thousands of innocent lives, as well as in the horrors of the torture that occurred at Abu Ghraib prison under our watch and the ongoing moral quagmire of Guantanamo Bay, now in its twenty-second year.
And today, we are witnessing yet another iteration of this tragic cycle in the ongoing conflict between Israel and the Palestinian people. The world watches as Israel, a nation born from the ashes of the Holocaust, wages war upon the open-air concentration camps that confine the Palestinian people—a war supported and funded in large part by the United States. The threats posed to Israel are real and must be addressed, but the hatred and fear that fuel this conflict have become so pervasive, so deeply entrenched, that they have rendered many unable to distinguish between a targeted response to the provocation of October 7, 2023, and a war of extermination against the Palestinian people. As of August 14, 2024, approximately 40,000 Palestinians have been killed and 97,000 wounded, while approximately 1,140 Israelis have been killed and 8,700 wounded. Though it should be evident, it is not, due to the lens of hatred and fear through which so many view the world—most of the dead and wounded are, in every conceivable way, innocents.
Yet, beyond hatred and fear, the influence of greed is once again unmistakable. The military-industrial complex (a fancy way to say the wealthy and greedy) profits handsomely from the $12.5 billion in military aid being funneled to Israel from the U.S. in this current crisis. This unrestrained flow of arms and support, justified by the rhetoric of defense and security, serves to perpetuate the cycle of violence, ensuring that the conflict remains unresolved and that the profits of war continue to flow.
This inability to discern between combatants and innocents, this failure to grasp the complexities and realities of the situation, has led to a bloodthirsty campaign that is as disheartening as it is devastating. The complicity of our own government, and thus ourselves, in this unrestrained violence, in this systematic destruction of lives and communities, is a burden that weighs heavily on the conscience. It is a stark reminder of the perils of allowing fear, hatred, and greed to dictate our actions, of the moral abyss we approach when we fail to temper our instincts with reason and compassion.
These events serve as powerful reminders of the perilous consequences of allowing fear, hatred, and greed to dictate our actions. They underscore the importance of vigilance, of constantly reexamining the moral implications of our choices, both as individuals and as a society. As Carol Matas so eloquently captures in Daniel’s Story: “We are alive. We are human, with good and bad in us. That’s all we know for sure. We can’t create a new species or a new world. That’s been done. Now we have to live within those boundaries. What are our choices? We can despair and curse, and change nothing. We can choose evil like our enemies have done and create a world based on hate. Or we can try to make things better.” Matas’s words are a reminder that, while we may not possess the power to reshape the world or our fundamental nature, we do have the capacity to choose how we respond to the darkness within and around us.
In this context, the chiaroscuro of human existence becomes not merely a passive observation of the interplay between light and shadow, but a call to engage actively in the struggle. It is a reminder that we must strive, both individually and collectively, to make deliberate choices that reflect our higher aspirations rather than our baser instincts. The battle between good and evil may cut through the heart of every human being, but it is within our power to choose which side we will nurture and which we will resist.
To choose despair is to abdicate this responsibility, to allow the shadows to overwhelm the light. To choose hate is to perpetuate the very evils we decry, to create a world more steeped in darkness. But to choose to make things better—to educate ourselves, to act with integrity, to engage with the world around us in a spirit of compassion and understanding—is to affirm the light, to hold fast to the belief that, despite the confusion and the darkness, redemption is always possible.
In the end, it is this choice—this daily, often arduous choice—to strive toward the light that defines our humanity. It is this struggle, this tension between what we are and what we aspire to be, that forms the heart of Chiaroscuro, both as a musical composition and as a reflection on the human condition.
In an earlier posting I explored the origins of the Yarab surname, tracing it back to the Slovak surname Jaráb, which is related to the Czech word for crane, jeřáb. That essay also discussed the Eurasian crane, significant in Slovak culture, and explored the symbolic traits associated with cranes across various cultures. Such traits include wisdom, vigilance, mercy, and grace. Cranes also feature prominently in the mythology and folklore of many civilizations, including the Bashghirds, Arabs, Greeks, Koreans, and Japanese. After investing so much time in the research, I decided to write a poem, or lyrics, and set it to music using Udio.com. The result is above. For a detailed understanding of the various references in the lyrics of the song, please visit the posting at On The Origins of the Yarab Surname.
Exploring the translation of “Twinkle, Twinkle, Little Star” into Latin after creating additional stanzas for the rhyme, I was inspired by the contemporary Celtic music sound provided by Udio.com. The resulting creation, “Celestial Reflections,” is set to a Celtic vibe by Udio. This linguistic and musical endeavor is documented in a video titled “Reflexiones Caelestes” on Youtube. The link to the video is provided.
Occasionally attempting to translate simple English into easy Latin (with the assistance of memory, dictionaries, and software), and being quite taken with the contemporary Celtic sound of the music on Udio.com, I thought I would translate Twinkle, Twinkle, Little Star into Latin, adding two additional stanzas of my own creation to the first one, and see what it sounded like when set to a Celtic vibe on Udio. “Celestial Reflections” (“Reflexiones Caelestes”) is the result.
“Celestial Reflections – Twinkle, Twinkle, Little Star”
My Latin is crude and rough, I admit. My first stanza is:
Micat, micat, parva stella, Quam miror quid sis bella! Sursum supra mundi alti, Sicut gemma in caelo.
Mica, Mica, parva stella; Miror quaenam sis tam bella. Splendens eminus in illo, Alba velut gemma caelo.
The differences are intriguing, as the second line in my translation, “How I wonder/marvel at what a beauty you are!”, contrasts with the League’s rendering, “I wonder what makes you so beautiful.” My third line, “Up above the world so high,” differs from the League’s “Shining afar in that place.” Similarly, my fourth line, “like a gem in the sky,” contrasts with the League’s “white like a gem in the heavens.” The primary distinction lies in the League’s effort to rhyme the Latin words, a technique I did not employ. Additionally, the League chose to specify the gem as explicitly white, enhancing its resemblance to a diamond. Such nuances underscore the divide between scholars and an amateur such as myself!
For those interested, the English translation of the two additional stanzas I added may be as follows:
Twinkle, twinkle, purest star, Your radiant form, Through the night you give brilliance, You make a path through the darkness.
Twinkle, twinkle, bright star, In the rare celestial path, You shine with eternal light, You tint the night with sweet sleep.
Throughout my life, two essential sources of guidance have been my personal motto, “Humilitatem Initium Sapientiae,” meaning humility is the beginning of wisdom, and the insightful advice from Thomas à Kempis in De Imitatione Christi. His words inspired the lyrics of my composition, “The Beginning of Wisdom,” recently set to music using Udio.com. The song emphasizes the importance of humility, seeking good examples, and self-correction. It beautifully portrays the idea that through humility, wisdom shines bright, leading us forward even through the darkest nights. The powerful message is conveyed through gentle and reflective lyrics, inspiring listeners to embrace humility as the start of wisdom.
Korea, hanging scroll, ink on paper. Egret and Reeds, late 1800s. Yang Ki-hun (Seuk-Eun) (Korean, 1843–1919?). In this hanging scroll, an egret walks along the shores of a salt marsh where reeds abundantly grow. Yang treated his subjects of flora and fauna with an observant naturalist’s view, yet his choice of subjects—an egret and reeds—is deeply rooted in traditional symbolic language: the egret stands for the scholarly reclusive life, while reeds indicate humility and modesty. Cleveland Museum of Art.
Two of the most treasured sources of guidance throughout my life, which I frequently call to mind, are my personal motto, Humilitatem Initium Sapientiae, which may be translated as humility is the beginning of wisdom, and the prudential advice offered by the canon, author, and scribe Thomas à Kempis (d. 1471), in De Imitatione Christi: “Study also to guard against and to overcome the faults which in others very frequently displease you. Make the best of every opportunity, so that if you see or hear good example you may be moved to imitate it. On the other hand, take care lest you be guilty of those things which you consider reprehensible, or if you have ever been guilty of them, try to correct yourself as soon as possible. As you see others, so they see you.” These words informed the lyrics of my most recent composition which I then set to music using Udio.com
Humilitatem Initium Sapientiae (Humility, the beginning of Wisdom) – by Donald S. YarabAudio file for “The Beginning of Wisdom” (Lyrics by Donald S. Yarab).
Lyrics:
In the quiet dawn, wisdom’s voice we hear, Whispering softly, drawing us near. In the humble heart, truth finds its place, Guiding our steps with gentle grace.
Humilitatem Initium Sapientiae, Through the shadows, a light to guide our way. In the path of humility, wisdom shines bright, Leading us forward through the darkest night.
Guard against the faults that others display, Seek the good examples, and follow their way. Correct your own missteps, strive to be true, For as you see others, they also see you.
Humilitatem Initium Sapientiae, Through the shadows, a light to guide our way. In the path of humility, wisdom shines bright, Leading us forward through the darkest night.
With each humble act, our spirits rise, Touching the heavens, reaching the skies. In the silence deep, where the soul is free, Wisdom’s beginning, in humility.
Humilitatem Initium Sapientiae, Through the shadows, a light to guide our way. In the path of humility, wisdom shines bright, Leading us forward through the darkest night.
In humility, we find our start, With wisdom’s light, within our heart. Humilitatem Initium Sapientiae, A guiding star, forever to stay.