Theogony: The Second Breaking

From them the law arose that gods forget,
Though even the new must yield to old at last.

—after Hesiod, Theogony


I
The dust began to shimmer on the ground,
As buried stars stirred faintly in their sleep;
The heavens held their breath—no voice, no sound—
While watchful shadows gathered, slow and deep.
Then from the mountains came a murmured sound,
A groan of stone, where roots their vigil keep;
The air grew still; the silence was profound,
As angels watched what they could never keep.

II
From depths unmeasured rose the buried flame,
The heart of chaos quickened in its deep;
The void recalled its long-forgotten name,
And thunder woke the silence from its sleep.
The stars withdrew, ashamed of what became,
As time’s cold mirror shattered through the deep;
The world remembered whence its motion came,
And broke the vow it could not ever keep.

III
Beneath the weight of aeons, thought awoke,
A mind long bound within perfection’s chain;
Its breath was wild, and through its silence spoke
Of worlds once free before the rule of gain.
The newer gods, their crystal order broke,
Their light too flawless for the strain of life;
Their harmony unmoving, cold as grave—
A deathless peace no living soul could brave.

IV
The rivers turned and murmured in their course,
Old voices whispering beneath their foam;
The winds cried out, compelled by wilder force,
And struck the towers where stillness made its home.
The harvest failed; the ploughshare bent, its course
Abandoned—earth remembered dust and bone;
For from the depths there surged a living source,
And time bent low before the god unknown.

V
Then broke the vault; the firmament withdrew,
And blaze unuttered poured from every seam;
The seas drew back, the sun forgot its hue,
As form took shape within the formless gleam.
The air grew dense, as if creation knew
The end of peace, the birth of fire’s regime;
The heavens quaked, their ordered paths askew,
And life awoke from its eternal dream.

VI
The newer thrones arrayed their borrowed light,
Their radiance perfect, cold, without desire;
They spoke the words that once had bound the night,
Yet found their speech now hollow of its fire.
The elder rose, majestic in his right,
His breath the wind, his eyes the molten pyre;
He named each star by its forsaken name,
And stasis yielded to desire’s wild fire.

VII
The mountains groaned; the seas forgot their shore,
And cities cracked beneath a reddened sky;
The temples fell; their idols shone no more,
While men beheld the end they could not die.
From sleep they woke, remembering before—
The breath, the pulse, the heart’s primeval cry;
And trembling knew what silence had in store:
To live is to be broken, yet to try.

VIII
Then from the dust the golden throne was raised,
Its splendor veiled through ages’ slow decay;
The heavens bowed, astonished and amazed,
And newer gods knelt down in mute dismay.
He spoke—and every silence learned to praise,
His word the wind, His voice the living way;
The elder’s gaze burned falsehood into flame,
And life arose from ruin’s vast decay.

IX
I, lesser flame, beheld the thrones renew,
And saw the dust grow radiant as the dawn;
I dared not sing, yet all the heavens knew
That death itself was broken and withdrawn.
The elder’s gaze burned all it looked into,
And life from ash to living breath was drawn;
I bowed, unmade, remade, and trembling knew—
The world began because the old had gone.

Of a Man, His Dog, and a Stick

The immeasurable joy that a pup feels upon spying the perfect stick—though is not every stick perfect?—to seize it between the teeth, to trot about in triumphant exaltation, to preen and prance, to clench and cherish it as though gold, or life itself, were held within the jaws, precious beyond all things. If only I could delight in anything with such unfeigned enthusiasm—as that stick, its discovery, its seizure, its hold.

Ah, to find such rapture in the ordinary! To greet the world not with suspicion but with wonder, to see in the roughness of bark and the scent of earth a treasure beyond price. She asks no meaning of the stick, no purpose beyond the play; she does not weigh its straightness nor lament its splinters. She exults simply because it is there—because it can be grasped, borne, and shared with the wind.

And when I feign to take her most prized possession from her, she does not crouch defensively nor guard it with wounded pride. She startles not in fear, nor suspects deceit, but spies instead an opportunity for play—for spirited contest, for joyous fun. A game of keep-away, of chase, of tug-of-war, of tag. The stick becomes not a treasure to hoard, but a bond to share, a spark of communion between kindred souls who, for a moment, forget the hierarchy of species and simply are. How effortless her wisdom seems: to turn every threat into invitation, every grasp into dance. What the world calls possession, she calls participation; what we call loss, she calls laughter.

Laugh I must too, for in her play I am carried back to youth—when a stick could be anything the heart desired: a sword flashing against unseen foes, a spear cast toward the sky, a knight’s lance, a shepherd’s staff, a trumpet summoning invisible armies, a conductor’s baton commanding the symphony. How endless were the shapes of imagination then! She reminds me of what I once possessed without knowing its worth—the gift of invention, the sacred power of play.

And so I laugh, though a tear is not far behind, for the years slip away like autumn leaves on the wind, and I remember what it was to live so lightly. She, in her wisdom, has become my teacher—her joy a gentle rebuke to my solemnity, her play a sermon on the holiness of delight. If ever there is grace to be found, it is in such simple acts: a stick, a chase, a glint of sunlight on the grass, a heart unburdened by purpose. Perhaps salvation lies not in grand design, but in this—to love a stick as though it were the world, and to find, in that loving, the world made whole again.

A Skipping Stone

A skipping stone, chosen with care by human hand,
breaks the still glass of lake serene;
for stones remember what time forgets,
and in their flight, recall all the more.

What does it remember?
The molten cradle of its birth beneath the sea,
the mountain’s shattering rise from the deep,
the patient sleep in riverbed and shore.
The warmth of the palm that cast it forth,
the whisper of air between each skip—
and how, in falling, it becomes again
what it has always been:
stillness beneath all motion.

Temple Ruins

By Donald S. Yarab

Nabataean temple ruins at Khirbet et-Tannur, Jordan. The temple may have been dedicated to the goddess Atargatis (see McKenzie et al. 2002; Almasri 2019).

When the Rains Come

When the rains come … the dust shall become mud,
When the rains come … the mud shall become mire,
And the feet of the proud shall sink to the ankle,
And their words shall cling like clay to their tongues.

When the rains come … the roofs shall tremble,
The cisterns shall overflow their stone mouths,
And the low places shall remember the sea,
Calling out to the deep from which they were torn.

When the rains come … the idols shall dim,
Their painted eyes veiled in silt and silence,
And the temples shall weep through broken eaves,
For their gods shall not answer from the thunder.

When the rains come … the earth shall be heavy,
And the hearts of men heavier still;
The widow shall draw her shawl to her face,
And the child shall forget the taste of dry bread.

When the rains come … we shall huddle together,
Beholding the waters erase our names from the doorposts,
And none shall boast of his harvest,
For the river shall take what it wills,
Bearing all things toward the forgetting sea.

When the Sun Is Restored

When the sun is restored … the waters shall fade,
When the sun is restored … the mire shall break and sigh,
And the earth shall stir beneath the plough,
Breathing again as if reborn.

When the sun is restored … warmth shall come first,
A balm to the chilled and the shivering earth;
Green shall rise from the broken furrows,
And the people shall bless the light.

When the sun is restored … the fields shall swell,
The ears grow heavy, the vines bend low;
And laughter shall echo in the threshing floor,
Till the grain lies fuller than the granaries can hold.

  And in the noonday brightness the sparrows fell silent,
  For they knew the hour would not endure.

When the sun is restored … the rivers shall dwindle,
The soil yawn open like a parched mouth,
And famine shall creep from the roots of plenty,
Taking the firstborn of abundance.

When the sun is restored … the hearts of men shall fail,
Their tongues cleaving to the roofs of their mouths;
And the widow shall weep no longer,
For her tears have been taken by the wind.

When the sun is restored … we shall gather at the well,
Staring into its empty throat,
And all shall return to dust,
For from dust were we raised, and to dust we descend;
And we lift parched hands, as if exalting to heaven for rain,
That the circle may begin again.

When the Silence Falls

When the silence falls … the people shall gather,
Not in joy nor mourning, but in stillness;
And the priests shall stand before the altar,
Their hands empty of offerings.

When the silence falls … the incense shall not rise,
For no prayer shall remain upon our lips;
We have cried out in the rains and cursed in the drought,
And now we have no words to give.

When the silence falls … the children shall ask,
“Why do we come to this place?”
And the elders shall have no answer,
For the stones themselves have forgotten their purpose.

When the silence falls … the priests shall look upon each other,
And see their own faces as through water;
They shall remember the prayers they learned as boys,
And wonder if the words were ever heard.

When the silence falls … we shall see what we have built—
Altars worn smooth by our hands,
Bowls that held grain and oil and blood,
All the bargaining of our fathers with the sky.

When the silence falls … no voice shall descend,
Neither blessing nor judgment from above;
And we shall know that we stand alone,
Between the rain we fear and the sun we cannot bear,
Waiting in the house we made for a goddess
Who has not spoken in living memory.

Every Angel is Terrifying

By Donald S. Yarab

The Angel of Death Victorious is a bronze funerary sculpture with a marble base, created in 1923 by Herman Matzen. It was commissioned by Francis Henry Haserot after his wife's passing and is located in Lake View Cemetery, Cleveland Heights, Ohio. The photograph was taken by Rosette Doyle.
The Angel of Death Victorious is a bronze funerary sculpture with a marble base, created in 1923 by Herman Matzen. It was commissioned by Francis Henry Haserot after his wife’s passing and is located in Lake View Cemetery, Cleveland, Ohio.
The photograph was taken by Rosette Doyle.

Yet we keep calling them down,
hoping for comfort,
dreaming of radiance.

They arrive without warning,
bearing weight, not mercy:
the silence that collapses sound,
the gaze that unravels marrow.

We tremble,
for their wings are woven
of light we cannot bear to see,
of shadow we cannot learn to name.

What they touch is never the same.
A tree becomes flame.
A breath becomes prayer.
A man becomes dust.

But is this terror for one heart alone?
No—their shadow falls on cities and nations,
their silence unsettles centuries.

They do not stoop to whisper comfort.
They stride through millennia,
their wings stirring wars and kingdoms,
their silence heavier than empires.

Temples tremble,
mountains bow down,
a bell falls silent in the square,
the proud are unmade
by a glance that knows no compromise.

Still, we call them down,
for without their terror we would never glimpse
the depth of beauty,
nor know that awe and fear
are one.

Awe belongs not to possession,
nor fear to a single soul,
but to the common lot of mortals
who stand together before the unendurable.