Epic of Gaza

Proem

Weep, Angelic Host—sentinel Cherubim, laudific Seraphim—weep,
Recall, O Memory, the deeds of men most mean, their bitter striving;
Of those whose wrath, though born of dust, consumed the fields of nations,
Whose hands, unclean with envy, loosed the cry of widows and orphans.
From their hearts rose pride, and with their pride came hunger unbounded,
Till hearth and altar alike lay broken, the ploughshare shattered,
And souls unnumbered went down to the shadowy regions,
Leaving their fathers bereft, their children untended, their homes in ashes.

Thus was the earth made desolate, and Heaven itself grew weary;
For even the Seraphim, laudific, grew silent in their praising,
And even the Cherubim, sentinel, let fall their flaming vigil.
Yet still, O Memory, sing on, that generations yet unborn may tremble,
Lest pride unmeasured, and meanness cloaked in strength, rise once more,
And angelic hosts be called again to witness man’s undoing.


Gaza Before the Storm

Remember first how Gaza stood beside the ancient sea,
Her markets bright with oranges, her harbors filled with song,
Where fishermen cast nets at dawn, and children ran the shore,
And olive groves grew silver-green beneath the turning seasons.
The Great Omari lifted high its Byzantine dome,
Saint Porphyrius kept its vigil, fifteen centuries strong,
And in the evening hour of prayer, a thousand minarets
Sent voices skyward, weaving threads of worship into twilight.

Here was a city rooted deep, her stones drunk full of time,
Her people bound by blood and earth to this small patch of shore.
The old men sat in coffee shops, playing backgammon and speaking
Of harvests past, of children grown, of peace that might yet come.
But Memory keeps what was, before the storm clouds gathered,
Before the sky grew dark with iron, and the earth with ashes.


Gaza Besieged

Hear now, O Memory, after the angelic cry, the tale of sorrow:
How wrath was loosed upon Gaza, the walled and crowded city,
Where children clung to their mothers, and fathers kept vigil in hunger,
And the streets ran red with fire, the stones made to weep with blood.

For men most mean, in pride unmeasured, cast down their anger,
And the sky, once blue with doves, grew black with the smoke of ruin.
Hospitals groaned with the wounded, mosques lay shattered in silence;
The cry of the muezzin was drowned by the thunder of iron.
Women lifted their arms to heaven, crying for justice;
Infants wailed without milk, and the wells ran red with despair.

Thus did Gaza endure, as Ilium once by the Scamander,
A city besieged, its name to be sung in lamentation.
Yet not Troy alone, but Sarajevo’s bitter winters,
Stalingrad’s rubble, Warsaw’s ghetto walls—
All cities that have tasted wrath speak Gaza’s name as sister.


Catalogue of Grief

Sing the children whose laughter was severed in silence:
Sing Amal, whose curls were bright as dawn, now dust-shrouded;
Sing Yusuf, who carried a ball through the alleys, forever stilled;
Sing Miriam, with eyes like lamps, closed by the weight of rubble;
Sing Omar, who drew birds in the sand, his small hands silenced;
Sing Laila, who danced to her grandmother’s songs, now voiceless;
Sing Ahmed, six years old, who asked why the sky was angry.
These were the blossoms cut down, their springtime denied them,
Their games unfinished, their dreams unspoken, their tomorrow stolen.

Sing the mothers, whose voices rose in lamentation:
Sing Layla, who cried to the heavens, clutching fragments of cloth;
Sing Hanan, whose arms grew empty, rocking the air with sorrow;
Sing Fatima, who counted days by her children’s breathing;
Sing Mariam, who sang lullabies to graves of stone.
They were the pillars broken, their wombs turned to tombs of memory,
Their milk dried up, their cradle songs transformed to keening.

Sing the fathers, silent with grief, their faces carved from stone:
Sing Khalid, who once ploughed fields, now sifts through the ruins;
Sing Samir, who carried no sword, yet bore the weight of the fallen;
Sing Mahmoud, whose hands built homes, now dig for his buried;
Sing Hassan, who taught his son to read, now reads only headstones.
They were the oaks uprooted, their roots torn from the soil,
Their strong backs bent, their protecting arms made powerless.

Sing the city herself, Gaza, heart of the seashore:
Streets that once bustled with trade, now choked with ashes;
Mosques that lifted their domes to heaven, now shattered and open;
Hospitals that groaned with the wounded, their floors awash in blood;
Schools where children learned their letters, now rubble and memory;
Markets where oranges gleamed like suns, now dust and silence.
Gaza endures, yet her breath is ragged, her beauty in ruins.


The Heroes of Gaza

Yet sing also those who stood against the storm:

Sing Dr. Hussam, who would not leave his patients,
Operating by candlelight when the power failed,
His hands steady though the building shook with bombs.

Sing Mama Zahra, ninety years old,
Who sheltered twelve children not her own,
Sharing her last crust of bread among them,
Singing them to sleep with ancient lullabies.

Sing the teacher Amjad, who carved lessons in the dust,
Teaching children their letters beneath the rubble,
That learning might not die with the schools,
That hope might live though hope seemed dead.

Sing the young father Rashid, who dug with bloodied hands
For seventeen hours to free his neighbor’s child,
Though his own house lay in ruins,
Though his own losses called him home.

Sing the nurse Amal, who walked three miles each day
Through streets of glass and metal,
Carrying medicine to the wounded,
Her white coat bright as a flag of mercy.

These were the lights that would not be extinguished,
The flames that burned when all else was darkness,
The proof that goodness lives even in Hell,
That humanity endures though inhumanity rage.


The Silence of Nations

Yet where were the nations when Gaza called for aid?
The mighty kingdoms sat in their towers of glass,
Counting their gold, weighing their alliances,
While children starved beneath the rubble of their homes.

Some sent words like empty vessels, hollow condolences,
Others turned their faces away, as if not seeing
Could make the screaming stop, the dying disappear.
The halls of justice echoed only with procedure,
While Gaza bled, and Memory wrote their shameful silence.

Even the sea turned bitter, tasting ash and sorrow,
And dolphins fled those waters where the harbors burned.
Only the wind remained faithful, carrying the cries
Across the world, though men stopped up their ears
And closed their eyes, and voted for blindness.


Wrath of the Aggressors

Yet grief alone is not the tale, but wrath that bred it.

For men most mean, enthroned in pride, decreed destruction:
The Stone-faced King, whose tongue was sharpened with iron,
Who called fire down from heaven, and loosed it on the helpless.
The Golden-Maned Ruler, who sat upon distant waters,
Sending arms and gold, as though to purchase silence;
He bore the name of peacemaker, yet his hands were heavy with blood.

These were the princes of the age, their counsel clothed in falsehood,
And their decrees were bitter, sowing ashes in the earth.
They spoke of safety while they sowed destruction,
Of defense while they dealt death to the defenseless.
Their words were honey, but their works were gall,
And History will write their names in letters black as smoke.


The Voice of Gaza

Yet not in silence did Gaza bow, nor wholly in despair.
From the ruins rose a voice, steadfast as stone in the storm:

“We are the living, though the dust has covered our faces.
Our children sleep in the earth, yet their names burn bright as stars.
Break our houses, yet from rubble we rise speaking;
Cut down our olives, yet new shoots crack the stone.

You call us shadows, yet we cast longer darkness
Than your towers, and our darkness teaches light.
You name us forgotten, yet Memory keeps us close,
And angels inscribe our suffering in letters of gold.

Count our dead if you can number the grains of sand;
Measure our sorrow if you can drain the sea.
We have drunk deep of anguish, yet we are not broken;
We have walked through the valley of death, yet we breathe.

O sons of men most mean, your wrath is but smoke on the wind.
You have the fire, but we have the ashes, and ashes endure.
You have the sword, but we have the word, and the word is eternal.
Know this: though you bury us, we shall rise in the telling,
For the earth itself whispers our names, and will not forget.

And if the nations turn their faces away, still we stand,
For Gaza is not undone, though her walls lie fallen.
We are the olive trees that grow from stones,
We are the songs that survive the singers,
We are the light that shines in darkness,
And darkness has never overcome us.”


The Desecrations

Nor were the sanctuaries spared, nor the places of the Most High.
The destroyers struck at temples, their minarets broken in silence;
They shattered the churches, where lamps once trembled in vigil,
Icons dashed in dust, crosses cast down in fire.
Thus was prayer silenced, whether in Arabic chant or in hymnal;
The faithful fled, yet the stones themselves groaned in lament.

And the olive trees, those elders of the earth, were uprooted;
Ancient roots torn from soil that had drunk the blood of generations.
Branches once heavy with fruit lay scorched upon the ground,
And the groves, where fathers had walked with their sons, stood barren.
No psalm was heard, no murmur of leaves in the evening;
Only the wind through ruins, whispering sorrow to heaven.

Even the dead found no peace in their appointed places;
Graves were torn open, bones scattered to air,
Ancestors made homeless, their rest disturbed.
For wrath respects neither the living nor the sleeping,
Neither the newly born nor the long-buried,
Neither the sacred nor the profane.


Catalogue of the Broken Sanctuaries

Sing the names of holy places undone:
The Great Omari Mosque, Byzantine-born,
Heart of Gaza’s Old City, December-felled;
Saint Porphyrius, fifth-century stone,
Twice-struck shelter, sixteen souls entombed beneath its ancient walls.

Khalid bin al-Walid Mosque, November’s ruin,
Al-Riad Mosque, March’s bitter fall,
Bani Saleh Mosque, August’s dust,
Yassin Mosque, struck in al-Shati’s crowded camp,
Ibn Uthman too, its centuries silenced.

Count them: of twelve hundred and forty-four mosques,
More than a thousand scarred by fire and iron,
Nine hundred leveled utterly, their prayers cut short,
Their faithful scattered like leaves before the storm.

Graveyards forty out of sixty struck,
Twenty-two erased from the earth,
Bones scattered to air, ancestors made homeless.
Palaces broken, markets burned, bathhouses unroofed,
Even Anthedon Harbor, Roman gateway, flattened into the sea.

Museums looted, libraries obliterated,
Memory itself made to bleed, the archives set aflame.
For they would kill not only the living,
But the memory of the living,
The records of their being,
The proof they ever were.


The Lamentation Chorus

The Mothers of Gaza cry:
“O children, blossoms cut before the fruit,
We held you in our arms, now we hold only ashes.
Your laughter is buried beneath the stones of our city,
And our breasts are dry, our songs turned into wailing.
Yet still we sing your names like prayers,
And still we dream your dreams unfinished.”

The Fathers of Gaza groan:
“Our fields are ruined, our ploughs shattered,
The olive trees uprooted, the roots torn from the soil.
We walk among graves unguarded,
Where bones lie scattered, denied even silence.
Yet still we remember the taste of our olives,
And still we plant hope in the ashes.”

The Faithful lament:
“Where are the mosques that once trembled with prayer?
The Great Omari lies fallen, Ibn Uthman silenced,
Saint Porphyrius struck, its saints entombed anew.
Our lamps are dark, our chants broken in the smoke.
Yet still our hearts are temples,
And still our prayers rise to heaven.”

The Children’s Voices rise:
“We who were silenced while learning to speak,
We who were buried while learning to walk,
We who were taken while learning to love—
We are not gone, though our bodies lie broken.
We live in the tears of our mothers,
We live in the dreams of our fathers,
We live in the songs that remember us,
And death has no power over song.”

The Angels answer:
“We weep with you, O Gaza;
For sentinel Cherubim have loosed their flaming swords in sorrow,
And laudific Seraphim, once ceaseless in praise,
Cover their faces in grief, and their hallelujahs are hushed.
Yet know that every tear is counted,
Every name is written in light,
And what was destroyed on earth
Stands whole in the halls of eternity.”

The Chorus of Gaza cries together:
“Who shall remember us if not the stones?
Who shall keep our names if not the dust?
If the nations turn away their eyes,
Then let the heavens bear witness, and let Memory sing forever.
For we are Gaza, and Gaza endures,
We are the voice that will not be silenced,
We are the story that must be told,
We are the love that conquers death.”


Catalogue of the Slain

Sing, O Memory, of the dead, the multitude unnumbered,
For Gaza has given sixty thousand souls and more to the grave.
Not warriors alone, but children in their play,
Mothers in their shelter, fathers in their vigil,
The aged bent with years, the newborn scarcely named.

Count fifty-eight thousand more wounded,
Their bodies torn, their spirits scarred in silence.
Two thousand struck while seeking bread,
Gathering in hope of relief, yet felled by fire.
Three hundred perished of hunger, seven and ten children,
Their lips dry, their bellies hollow, their cries unheard by the nations.

Even when truces were spoken, the killing continued,
Ten thousand more consumed like chaff in flame.
Who can reckon those incinerated, buried under stone and steel,
Whose names are known only to God,
Whose faces are forgotten by man
But remembered by eternity?

A leaked report from the destroyer’s own hand
Confessed the truth they would hide:
Four of every five were innocents,
The harmless marked as enemies,
The helpless slain as foes.
Thus did wrath devour the lambs of Gaza,
And the angels wept, inscribing their names in light.


The Judgment of Yahweh

Then did the heavens part, as once above Sinai,
And Yahweh Himself descended, wrapped in cloud and flame,
The Ancient of Days, whose voice shook the foundations,
Before whom cherubim veil their faces, and seraphim fall silent.

He brought forth the scales of ultimate justice,
Vast as the firmament, terrible as truth,
And weighed the works of men most mean:
Their bombs and decrees, their gold and iron,
Their speeches of defense while dealing death.

“I have seen this before,” spoke the Voice that split the Red Sea,
“The marking of a people for destruction,
The sealing of their fate in chambers of decision,
The systematic starving, the calculated killing.
Did I not hear the cry from burning ghettos?
Did I not see the smoke from crematoria?”

In the other pan He placed Gaza’s slain,
The bones of children, the tears of mothers,
And with them, the ghosts of all genocide’s victims—
Warsaw and Treblinka, Armenia and Rwanda.

The scales tilted under genocide’s weight,
And the voice of the Almighty thundered:

“Genocide! I name it what it is.
You who survived the furnaces of Europe,
How could you kindle furnaces for others?

I am the God of Abraham, Isaac, and Jacob,
But I am also the God of Hagar and Ishmael.
I freed slaves from Egypt,
But I will not bless those who enslave others.

These deeds are genocide, and I have weighed them.
These rulers stand condemned, their glory is ash.
Justice will come, though justice tarry long,
And every tear will be counted,
Every life will be avenged.
Genocide!”


The Promise of Memory

Yet this is not the end, O sons of earth,
For Memory does not merely mourn but promises.

As from the ashes of the phoenix rises flame,
As from winter’s death comes spring’s green resurrection,
So from Gaza’s anguish shall come forth
A testimony that shall not be silenced.

The children who were slain shall live in song,
The mothers who were silenced shall speak through poetry,
The fathers who were broken shall stand tall in story,
And Gaza herself, though wounded, shall endure
Until justice rolls down like waters,
And righteousness like a mighty stream.

For this is the promise Memory makes:
That suffering witnessed becomes sacred,
That innocence destroyed becomes indestructible,
That love murdered becomes immortal,
And truth, though buried, always rises.


Epilogue

So sing, O Memory, lest silence fall and truth be buried.
Let cherubim guard the names, let seraphim whisper them in praise.
Let the children of Gaza, though slain, rise again in song,
And let the nations know that what was destroyed endures in remembrance.

For stone may be shattered, but the word cannot be silenced,
And ashes speak, though the fire consume them.
The olive trees shall grow again from their ancient roots,
The mosques shall be rebuilt, more beautiful than before,
The children shall play once more in streets made clean,
And Gaza shall rise, as morning rises from the night.

This is the epic of Gaza, written in tears and blood,
In ashes and in starlight, in sorrow and in hope.
Let it be read when tyrants sleep secure,
Let it be sung when justice seems to slumber,
Let it be remembered when the world forgets—

Sing, O Memory, of Gaza.

Weep, Angelic Host—sentinel Cherubim, laudific Seraphim—weep.

Ohio’s Tax Burden Inversion

How Two Decades of Income Tax Cuts for the Wealthy Shifted the Load onto Property Owners and Renters

During the most recent reappraisal for property taxes, thousands of Cuyahoga County residents opened their mailboxes to find reappraisal notices that made their stomachs drop. Property values had climbed by an average of 32% county-wide, with East Cleveland residents facing increases of 67% and Maple Heights 59%.

Michael Chambers, Cuyahoga County Auditor, reported that, for 71-year-old Parma resident Agnes Gallo, this meant her home’s value rose by $76,000, pushing her annual tax bill up nearly $950. “This is outrageous,” she said. “People can’t afford to live in their own houses.” He also said that single mother Roni Menefee, facing a 49% valuation hike, admitted she was considering leaving Ohio altogether: “We’re hardly living in Beverly Hills here.”

County officials insist that House Bill 920 prevents taxes from rising dollar-for-dollar with property values. But for seniors on fixed incomes or working families barely hanging on, even modest increases can be destabilizing. More than 20,000 residents filed complaints, with thousands of adjustments granted. Still, the anger lingers—and justifiably so.

The Long-Term Tax Shift

That anger is rooted in two decades of deliberate state policy. Since 2005, Ohio’s Republican lawmakers have steadily cut the personal income tax, reducing rates most sharply at the top. Over time, these cuts drained nearly $13 billion annually from state revenues.

With less money flowing from the state to schools, libraries, and local governments, communities were forced to raise more themselves. And because they are prohibited from taxing investments or capital gains—the kinds of income more common among the wealthy—the primary tool left was the property tax (although many municipalities also increased their local income taxes-Cleveland voters narrowly approved an increase in its income tax from 2 percent to 2.5 percent in 2016).

The outcome: in 2024, Ohioans paid $23.9 billion in property taxes—more than they contributed through sales taxes ($13.7 billion) or income taxes ($9.5 billion). The most regressive form of taxation has become the backbone of public services.

Put plainly: the legislature cut income taxes for the wealthy, and forced everyone else—retired, middle-class, working-class, and poor—to make up the difference through higher property taxes.

The Nonprofit Inversion

At the same time, Ohio has allowed exemptions and abatements to balloon. Nearly $90 billion in property value—17% of the state’s total—is exempt from taxation, up from 14% two decades ago.

The largest single category? Abatements, totaling $26.6 billion. These were meant as temporary incentives to spur growth but are now permanent fixtures. Even utilities, which have captive consumers and guaranteed profits, receive abatements for investments they would make anyway.

And then there are the so-called nonprofits. Their tax-exempt status rests on public benefit, yet their leaders are not infrequently paid like corporate executives:

InstitutionLeaderAnnual CompensationTax/Exemption Status
Cleveland ClinicDr. Tomislav Mihaljevic, CEO≈ $7 million (2023)Vast campus tax-exempt as nonprofit hospital
Ohio State UniversityTed Carter Jr., President≈ $1.3 million (2024)University property tax-exempt
Ohio State UniversityRyan Day, Head Football Coach≈ $10–12.5 million (contracted 2025)Public university benefiting from exemptions
Hawken School (Private)D. Scott Looney, Head of School≈ $1.05 million (2023, IRS Form 990)Elite private school, property tax-exempt

These institutions are sheltered from taxes while ordinary citizens—many of whom can barely make ends meet—are expected to pay “full freight.”

Renters Pay Too

The burden does not end with homeowners. Renters also pay indirectly, as landlords pass on property tax hikes through higher rents.

In 2023, Ohio saw some of the steepest rent increases in the nation:

Cincinnati: one-bedroom rents up 17% year-over-year.

Columbus: also up 17%.

Central Ohio: squeezed further by Intel, Amazon, and data center developments.

Statewide: over 700,000 renter households are “severely cost-burdened,” spending more than half their income on housing.

Even those who do not own property are being priced out of Ohio’s communities.

Populist Anger and the Ballot Box

It is no wonder, then, that frustration has spilled into politics. In 2025, an all-volunteer group began gathering signatures for a constitutional amendment to abolish property taxes entirely. Organizers say they are moving forward “no matter what” lawmakers do, because people feel they “no longer have a voice in this government.”

The proposal is extreme. Abolishing property taxes would blow a $23 billion hole in funding for schools, libraries, mental health services, and parks. Replacing it with sales taxes could require rates as high as 20%. Yet the fact that such a movement exists—and is gaining traction—reveals how deeply citizens feel abandoned.

They no longer trust lawmakers who, for twenty years, cut income taxes for the rich while pushing costs onto everyone else, especially the working class, seniors, and the poor. They see abatements handed to billion-dollar institutions and “nonprofits” with millionaire executives, while seniors in Parma and renters in Columbus face bills that are unsustainable.

The Choice Ahead

Ohio’s property tax crisis is not an accident. It is the inevitable result of two decades of choices:

Cut income taxes for the wealthy.

Hand abatements to billion-dollar institutions.

Shift the burden onto homeowners, renters, and the poor.

The result is predictable: the young leave by choice, the old leave by necessity, and those who remain are angry enough to contemplate abolishing the system entirely.

Eliminating property taxes outright is likely not the answer—it would devastate schools, libraries, and local services. But for many Ohioans, it may feel like the only way to force state leaders to listen. When lawmakers protect the powerful and ignore the cries of ordinary citizens, radical proposals become the only language that carries weight.[1]

And the cry is not simply to be heard. It is to be relieved—to be lifted out from under a system of taxation that has become oppressive, unfair, and in many instances, unsustainable. Until that relief is real and tangible, until fairness is restored, the ballot box will remain the people’s only instrument. And if the choice is between leaving their homes or leaving the system as it is, more and more Ohioans will choose to abandon the system itself.

The choice is no longer between reform or complacency. It is between reform or rupture.


[1] Some might dismiss the property tax abolition initiative as folly that would devastate local services. But terror concentrates the mind wonderfully. When gerrymandered legislative maps silence voters’ voices in normal governance, when the legislature attempts to eliminate or dilute ballot initiatives entirely, and when even successful citizen initiatives are ignored by lawmakers and courts, extreme measures become rational responses. The terror that grips policy makers, and concentrates their focus if voters eliminate $23 billion in local funding, might finally force the political class that has spent decades redistributing wealth upward to confront the unsustainable system they’ve created. Sometimes breaking a captured system is the only way to build a fair one.

Reading the Iliad Again: The Voice of Reason in an Age of Manipulation

After countless readings of various translations of Homer’s Iliad, certain passages can suddenly leap from the page with startling clarity. It can feel as if I am encountering them for the first time. Such was my experience with the incident regarding Thersites in Book 2, brought into sharp focus by Emily Wilson’s brilliant new translation—whose story had barely registered in previous readings, now revealed as perhaps the most penetrating political commentary in all of ancient literature.


The Iliad translated by Emily Wilson

A quick review of the scholarship revealed that while I was hardly alone in this recognition, the political interpretation of Thersites remains surprisingly contested. Some modern scholars have recognized in Homer’s portrayal a sophisticated critique of power that transcends the heroic framework, but many others continue to read the episode as simply affirming aristocratic values.¹ Yet there is something to be said for arriving at these insights through direct encounter with the text—Wilson’s translation made visible what a handful of careful readers have long debated.

The setup is masterful in its cynicism. Zeus, hungry for blood and bound by his promise to Thetis, sends a false dream to Agamemnon. The king, ever susceptible to flattery, believes the lie that, after nine years without success, Troy will fall easily if he attacks immediately. Divine deception exploits human vanity to ensure more carnage—the gods conspire to prolong suffering for their own purposes.

But first, Agamemnon decides to test his troops’ resolve by suggesting they abandon the siege and sail home. The test backfires spectacularly—war-weary soldiers leap up and race toward their ships, desperate to escape nine years of futile bloodshed. Only Odysseus’s violent intervention stops the mass exodus.

Into this moment of barely restored order steps Thersites, described by Homer with deliberate physical grotesquerie to ensure we see him through aristocratic eyes—bandy-legged, lame, with little hair and a shrill voice. In the ancient world, such deformity was viewed as suggesting mental or moral deficiency. But as scholar Panagiotis Stamatopoulos observes, “the ugly hero is the personification of the ugly truth.” Homer introduces an insolent and fearless figure who points out truths that both the soldiers and the kings dare not see. Thersites emerges as “the voice of the people, of demos“—a vox populi expressing the position of the lower social class and opposing the aristocratic consensus. Tellingly, Homer gives him no patronymic surname, no family lineage to establish elite status; he represents not an individual but a class.

Yet Thersites’ words cut through the manufactured crisis with devastating precision. He challenges Agamemnon directly: what is your grievance? You already have gold, women, first choice of everything. After nine years of pointless war, he asks the question that should be obvious—why should common soldiers continue dying for the personal honor of the elite who have already been richly compensated?

This is the voice of human reason emerging amid divine machination and aristocratic ego. Thersites offers what the epic desperately needs: an exit ramp from tragedy. Had the Greeks listened and sailed home, Troy would have stood, Hector would have lived, Achilles would have returned to Phthia, and Odysseus would never have wandered. The commoner alone sees the madness clearly.

More provocatively, Thersites points out the fundamental dependency that the heroic code obscures: “Let him consume his winnings here at Troy, so he can see if we helped him or not.” Without the common soldiers doing the actual fighting and dying, what would Agamemnon accomplish? He would be one man with his treasure, powerless before Troy’s walls. The entire war rests on the backs of those excluded from its real rewards.

But Homer’s brilliance lies in what follows. Odysseus—wily, eloquent, a master of persuasion—does not refute Thersites’ logic. He silences it. The master of cunning speech, the man who could talk his way out of any crisis, abandons rhetoric entirely when faced with reasonable dissent. Seizing the divine scepter, he beats the man bloody while the other soldiers—the very men whose interests Thersites defends—laugh and cheer. Yet Homer’s subtlety continues: even after this violent suppression, it takes two additional speeches by the army’s finest orators, Odysseus and Nestor, to convince the troops to resume fighting. The laughter was hollow; Thersites’ logic had found its mark. In this single scene, Homer offers a devastating triple indictment: the gods manipulate, the elite brutalize, and the masses collaborate in their own subjugation.

What makes this commentary so sophisticated is its recognition that the problem is not simply bad leadership or divine caprice—it is the entire system’s complicity in silencing rational dissent. Homer shows us a world where every level of authority, from Olympus to the ranks, conspires to suppress the voice that points toward sanity and survival.

We live in an age of algorithmic manipulation designed to amplify division for profit. Our elites meet dissent with derision and suppression, while the public, misled or weary, often rallies to their side, cheering policies that erode their own dignity and livelihood. The machinery Homer diagnosed—divine deceit, aristocratic coercion, popular compliance—still grinds forward, indifferent to time.

Thersites asks the eternal question that every society must confront: “Why should we suffer and die for the vanity and greed of our leaders?” That his voice is not merely ignored but mocked—laughed into silence by those he would save—remains one of the most chilling recognitions in all of literature. Homer understood what many modern narratives refuse to admit: that exploitation and oppression do not come from above alone. It comes when the oppressed celebrate it themselves. And the greatest tragedy may not be the fall of Troy, nor the deaths of elite heroes, but the silencing of the one voice that might have stopped the tragedy before it began.


¹ See, for example, Panagiotis G. M. Stamatopoulos, “The episode of Thersites in the Iliad as an ideological and literary construction of Homer,” 28th Seminar of Homeric Philology, Ithaca Island, Greece (2014); and Siep Stuurman, “The Voice of Thersites: Reflections on the Origins of the Idea of Equality,” Journal of the History of Ideas 65.2 (2004): 171-89.

The Reckoning

“Here I am, an old man in a dry month, / Being read to by a boy, waiting for rain.”
—T.S. Eliot, Gerontion

“Enigmas never age, have you noticed that”
—Donald Trump, in a 50th birthday greeting to Jeffrey Epstein, as reported by the Wall Street Journal, July 17, 2025


John Martin's The Great Day of His Wrath
The Great Day of His Wrath by John Martin, 1853, oil painting on canvas.

Not with a whimper but with judgment—
the hollow men are laid bare.
Between the shadow and the substance falls
the weight of what they’ve done.

April reaps the harvest of unburied sins,
memory and justice tally their dues
in the counting house of broken promises.
The rats abandon ship; the reckoning arrives
through cracks in gilded towers.

We are not hollow, not stuffed with lies—
we are the thunder that shakes foundations,
the rain that scours the ledger clean,
the voice that names the unnamed.

In this valley of false prophets
their empires crumble while truth endures,
and when the smoke clears, we remain—
the witnesses in the empty boardroom,
the light that penetrates the shadow.

The desert remembers. The wasteland testifies.
And those who thought themselves untouchable
now face the music of their making:
Here. Here is the bill.

Between the crime and the punishment
falls not silence, but the sound
of debts returning to their debtors—
inevitable, unrelenting, just.

In the room the power brokers scheme and plot,
but tonight the doors are locked
and the receipts read aloud.

This is the way the world ends—
not with their bang, but with our thunder—
the final indictment.

The bell of reckoning tolls—for thee.

The Stranger Among Us

A Modern Parable

Tom Homan, Trump Border Czar, Fox News, July 2025:
“People need to understand, ICE officers and Border Patrol don’t need probable cause to walk up to somebody, briefly detain them, and question them. They just go through the observations, get articulable facts based on their location, their occupation, their physical appearance, their actions.”


U.S. federal agents stand guard while blocking a road leading to an agricultural facility where U.S. federal agents and immigration officers carried out an operation, in Camarillo, California, U.S., July 10, 2025

Scene 1: The Raid

The pre-dawn silence of a Central Valley farm is shattered by the low rumble of diesel engines. Unmarked ICE vehicles crawl down the dusty access road. A sudden flash of tactical lights. Barked orders. The field erupts in chaos.

Workers scatter like startled birds through rows of lettuce and beans. Shadows flit beneath the irrigation lines. A woman screams. A man falls.

The first canister arcs through the air, trailing white smoke. Then another. The acrid burn of tear gas mingles with the scent of overturned earth. Workers stumble, eyes streaming, choking on chemicals and fear.

Hector, broad-shouldered, quiet, sees only one thing: his son, Mateo, crouching near the equipment shed, toy truck forgotten in the dirt. Hector runs—faster than he has in years—dodging crates and shouting agents, lungs searing. A crushed weed clings to the cuff of his pants as he runs. He reaches the boy and pulls him close. They crouch behind a rusting disc harrow, trembling, Mateo’s small hands pressed to his eyes.

In desperation, Hector begins to pray aloud in Spanish through the burning air.

“Jesús, protégeme. Ten piedad de mi hijo.”

Out of the chemical haze, a figure approaches—not running, not afraid. A man in simple linen, worn sandals, dark hair, and a weathered face. His eyes are kind, though tears stream down his cheeks from the gas. He kneels beside them, placing one hand on Hector’s shoulder and the other gently on Mateo’s head.

He begins to pray—not in Spanish or English, but in the cadence of scripture:

“I was hungry and you gave me food… I was thirsty and you gave me drink… I was a stranger, and you did not welcome me.”

The sounds of boots crunching dirt grow louder. ICE agents round the corner through the dissipating smoke, rifles raised, armor clanking, gas masks covering their faces. They see three brown-skinned figures huddled together.

One agent hesitates. “Wait… who is—?”

Another cuts him off, voice muffled behind his mask. “Doesn’t matter. They match the profile. Bag ’em.”

The agents swarm. Zip ties bite into wrists. Mateo cries out as he’s yanked from his father, still coughing from the gas. Hector shouts in panic. The stranger offers no resistance—his gaze full of grief, not fear.

“Do not be afraid,” he says softly. “They do not know what they do.”

The agents drag them toward the transport van. No one asks the stranger his name.


Scene 2: The Hearing

A windowless immigration courtroom, sterile and indifferent. A fluorescent hum fills the air. The docket reads:

“JESUS — No Last Name.”

The defendant sits at the table, still wearing the dirt-stained robe from the fields. His feet are bare.

The judge, gray-suited and impatient, flips through forms without lifting his eyes.

“Do you have documentation establishing your legal presence in the United States?”

Jesus replies, softly:

“I have roots in this land older than maps. I have walked its fields and wept at its borders. I have come for the least among you.”

The judge sighs. “This court does not recognize mythology, metaphor, or messianic claims. Do you have a valid visa or asylum paperwork?”

“I was here before paperwork.”

The interpreter glances up but says nothing.

The judge shrugs, jots a note, and speaks without emotion:

“Absent documentation, this court orders your removal from the United States.”

He pounds the gavel. The sound echoes like a tomb closing.

The bailiff calls out the next name:

“González, Maria.”


Scene 3: Alligator Alcatraz

Deep in the Florida Everglades, forty-five miles from Miami, an airstrip rises from the swamp. Chain-link fences topped with razor wire stretch across the tarmac. Guard towers pierce the humid air. Beyond the perimeter, dark water reflects nothing—cypress knees and saw grass disappearing into mist where alligator eyes glide silent as death.

The official name is Dade-Collier Training and Transition Airport. Everyone calls it Alligator Alcatraz.

Inside the compound, heavy-duty tents and FEMA trailers house thousands. The hum of industrial air conditioning battles the crushing heat, never quite winning. Mosquitoes cloud the recreation yard. In the distance, something splashes in the canal—too large to be a fish.

Jesus sits on a metal cot, sharing his meal with a trembling boy whose parents were deported separately. He tends to an old woman’s infected foot with water and torn fabric. Around him, the detained speak in whispers—some have been here days, others weeks. No one knows when the final expulsion orders will come.

A guard leans against the fence, sweating despite the cooling units. “That one thinks he’s some kind of prophet,” he tells his partner, nodding toward Jesus.

The other shrugs. “Least he’s peaceful. Better than the ones who try to run.” He glances toward the swamp. “Though where would they go?”

That evening, Jesus stands at the perimeter fence, fingers resting on the chain link. Through the mesh, he watches the sun set over an endless maze of waterways and predators. Behind him, someone begins humming a half-remembered hymn. Others join in—Mexican ballads, Salvadoran lullabies, the songs of home, sung low through clenched hope.

Mateo sits nearby, no longer crying, but hollow-eyed. He stares at the fence, at the razor wire, at the guard towers with their searchlights that never sleep.

“He came to his own, and his own received him not.”

In a crack between concrete slabs, where a drainage pipe meets the ground, a single green shoot pushes through. Impossibly small. Impossibly resilient. The guards walk past it twice a day and never see it.

Jesus kneels and touches the tiny leaf with one finger.

He whispers something no one hears—a prayer, a promise, a word riding the night wind across the water, past the alligators and the pythons, past the razor wire and the searchlights, out into the vast American darkness where other hearts are breaking, other prayers ascending.

The detention facility sleeps fitfully in the swamp.

But the green shoot grows.